the seventh evening
Deposit May 1
Wednesday, May 21, 2008
Monica Roccaforteclips
I run into other "supporting documents" to my thesis on the need to overcome the deconstruction: they date back to the essay by Pasolini The end garde. The consequence - Pasolini argues - is that the language-garde (and has targeted the Group '63), destroying the power of the word significant and metaphorical, occurs "[...] without shadows, without ambiguity and without drama, as the forms of academic papers or impersonal." The problem that the edge has not been able to address is how to deal with reality without devitalized and anesthetized, as stated '[...], the author wishes to express a "sense" rather than of meaning. So to make something happen in his work. Thus always to evoke directly the reality, which is the seat of a transcendent sense meanings. "
Compared to a reality so profoundly changed, the writer noted, both methods are inadequate commitment that those old Marxist-garde, one must expect an art that is able to face the present, evoking the sense of suspending, creating works ambiguous, without giving up the commitment, that is the reality.
Liberation
The end-garde (Notes for a sentence of Goldmann for two lines of a text-edge, and an interview by Barthes)
, in Id, 
Empiricism heretical
, cit., p. 130.
Rome, May 1, 2008 Valentina Valentini
, cit., p. 130.
Rome, May 1, 2008 Valentina Valentini
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