


Company: Maddai, Alessandra Cristiani, Teatro Sotterraneo, Reggimento Carri-Roberto Corradino, Psicopompoteatro, Kataklisma, Gramigna_ct, Muta Imago
"Uovo Critico è stato uno dei rari casi in cui i fatti, anzi il fare, ha superato la noia delle annose questioni, semplicemente attuando una pratica. Non era semplice far funzionare una cosa così, e siamo soddisfatti di averne fatto parte"
(Teatro Sotterraneo)
Il Triangolo degli schiaviand discovers the beauty of their ethnic origins, the adventurous journey made to arrive in southern Italy, the relationship with the smugglers, the hospitality in the Temporary Reception Centres, expulsion, illegal immigration, slavery and exploitation in which they are subjected to corporal and owners who make them work for fifteen hours a day in exchange for twenty euro. Ambrose is doing the same struggle that had done 50 years before her grandmother Crowned against the landowners and in favor of land distribution to peasants. But the farm workers who occupied the land in the '50s had a name and a surname and a homeland. Now there is only the bitterness of a "no fight" for the acquisition of rights.è la storia di
Ambrogio Morra, nato vicino a Cerignola, in provincia di Foggia ed emigrato a Roma in cerca di un lavoro. Abita allo Scalo San Lorenzo, in una camera-veranda che si affaccia sulla tangenziale, dove, in cambio di un piccolo risparmio sull'affitto deve convivere e accudire circa 400 canarini che gli rendono la vita assai difficile. Ambrogio si sente come un profugo, isolato tra i canarini. Il lavoro non gli cambia, come aveva sperato la vita, that you drag from the compulsion to "live with the canaries and the heavy hours spent downloading the fruit markets in general. GrandmaCrowned, which alongside Giuseppe Di Vittorio took part in the struggles of "conquering the land," urges him to get in Apulia where they "returned the slaves" Crowned and where, now as then, you are replacing Italian fugitive to a State always supports and assists the illegal workers and exploited for the collection of tomatoes. Crowned grandmother urges his nephew Ambrose to do as you and tell and report what happens, "the many Polish and African exploited and killed in the Italian countryside." Ambrose became a friend of some immigrants
Dov'è la crepa attraverso la quale chi rilegge Fassibinder, Pasolini, Medea, puts himself and rips the frame that you created? Thank you for giving me this opportunity for reflection | |
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by PODOFF
Thursday, May 8, 2008Kate's Playgound Sets
yet again on the third evening of May 1 is online interview between Richard Frezza, director of the young critic and gramigna_ct More speed of writing , Lorenzo Donati, protagonists of the seventh round of EGG CRITICAL 2008. | |
by PODOFF Thursday, May 1, 2008Good Simple DirectionsWednesday, April 16, 2008, 21 h Muta Imago Muta Imago presents 11 points (on Lev) an open reading At this moment we are not trying. We are thinking when we come back for trying. retrace the sources, we reviewed the records, we reflect on the comments of someone who was a spectator. If we were now open to the public for an evening, there would be a table, a microphone, books and photographs. And the words that now extend the sense of what we did, to understand how we do it. mutaimago@gmail.com www.mutaimago.com ROME Muta Imago - The group was founded in Rome in 2004 by the encounter between Richard Fazio, director and playwright, Claudia Sorace, director, Massimo Troncanetti, set designer. From the beginning the work has focused on creating original dramas, on the visual and installed and the search for a performative language suitable to develop strong values \u200b\u200bof imaginative work. AUDINI ANTONIO - drama critic of Il Sole 24 Ore ". Care and leads "Aladdin," the newspaper rotogravure Summer musica, teatro, danza, cinema e arti visive di Radio3 Rai. Insegna "Metodologia e critica dello spettacolo" all'Università di Roma Tor Vergata e ha recentemente pubblicato Corpi e visioni. Indizi sul teatro contemporaneo, Editorale Artemide.
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